This week will see a very short update as we are vacationing (of sorts).
Life as a freelancer is never truly a place for vacation, but to remain somewhat sane we need to ease the schedule atleast a few weeks of the year.
For that reason, no real updates on this weeks blog-entry.
Next week will see a minor update on the blog (possibly a bit more in case we got a go on some releases) but in two weeks the blog will be back up with fresh new stuff.
If you are interested in private commissions we have two slots open this week and we still have a couple of slots open with 100 Euro discount.
For more info and contact, go to the bottom of the About page and send us a message through the contact form.
Until next week!
This is the name of the winner of our contest, Ars Scribendi.
Please give it up for Dave B, who brought this home.
This narrative was inventive, left things to imagination whilst still buildin up a nice setting. Simply put, there was no argument when we decided this to be the winner.
During the next couple of months, David will be illustrating parts of this narrative (as it spans over a longer scene), and will be making a walkthrough of how the illustration comes to fruition. Once it is done, we will print it, sign it and send it to Dave so he can hang it on a wall of choice.
A couple of honourable mentions
Of course all entries where excellent, but there where some that stood out. These are, in no particular order, the stories we judged very good, but just not reaching up to “The Deadfields“:
Nathan Robsons narrative- The Necromancer and the Ribbon Dancer
John Malones narrative- A Survivor of the Wastes
Closing in on late summer
Things are starting to pick up again for the studio. Fresh work is popping in and business as usual is the drill.
Remember that from Next week, we will be “on vacation”, which means that for all intents and purposes, whilst you can still reach us and commission us, we will be a bit less available for chatting and posting updaes might lessen a little. We will still be available though, as said, and commissions are worked on as per usual and according to schedules so feel free to contact us for any commissions or ideas you have.
Also, like said in last weeks update, we are giving back to the community by giving a whooping 100 Euro discount on commissions right now. This week there are two commission slots open, so this might be the time for YOUR dream illustration! Please remember, it’s first come, first served and if you are number three commissioning us this week, your deadline will simply just move one week forward.
And as a parting-shot
Here is something on an ongoing project.
In between deadlined projects and work, sometimes one need to sketch something for uture projects.
Since David cannot show you his super secret project just yet, this is what we will show this week…
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So another week, another post.
On Friday, we posted an extra update to let you know that the competition-deadline had past.
We had an amazing turn-up and so decided that the competition will return next year, albeit perhaps with a couple of more prizes, judges and other tidbits. We will be working for almost a year to be able to get the final format out for next years edition of Ars Scribendi. So thank you all!!!
We hope to announce the winner before our vacation break, so stay tuned. You peeps did not make it easy on us by entering so many awesome narratives!
If you have followed us for a while, you know by now that there is a studio Youtube channel, where you can see some of our processes. We have plans to evolve this to a little more then what it is right now, but it involves a bit of upgrades to programs and hardware, so if you can be a little patient with us there are some good things on the way.
Speaking of good ways on the way, here is a current low resolution view of the new Sanguinius that David is painting at the moment in his rare spare time:
And here is anothe little bit of good news.
We have had an exceptional year. Truly, this year has been a gamechanger for us in many ways. Most of the things are still under NDA (such is the fate of freelance illustrators) but quite some private commissions we have been able to show. In fact, we have had to limit the ammount of slots for private commissions this year, to be able to do proffessional work for companies.
We have a few things coming up that are absolutely brilliant, and David has a secret project that, once it get revealed, probably will get quite some attention. It will be new, it will be grand and the other persons involved are probably known by most of our followers, if not all.
So to celebrate our year, and to give some back to the community, we have decided to give a quite substantial discount for the five next private commissions we do.
The discount will be 100 Euro off of the normal price.
As pricing is a tricky business in the artists world, you will not often see prices displayed in public. There are many reasons for this, not least of all being the fact that supply and demand, as well as the level of skill of the artist in question, set the prices and therefore they can and usually will change as an artist get more famous, skilled or both.
So we will make an exception to this right here and now, and let you know our fares, just to give you an idea of how large our discount really is!
These rates are broad estimates, an usually end up being what we go for, but please keep in mind that what you want to commission can have an effect on the final pricing.
For one character, in a pose of your choice, with a simple (blurred or one colour, simple figures or structures of no real detail) background – 300 Euro
For one main character with supporting characters (up to three) with a simple, blurred background (as per above) – 400 Euro
For a more complex illustration, for example a battlescene with multiple focuspoints an a complex background – 600-800 Euro, depending on complexity
On the above prices, we will offer a 100 Euro discount, straight off.
To make sure we can keep to this and still work on everything we have, the discount will only apply for the next five commissions, so get in touch through our contact form and lets see how we can help you. It’s at the bottom of the “About” Page.
Please keep in mind that slots open this week are only two. This means that if there already are two commissions this week, yours will be pushed forward to start next week. Completion of a commission is usually 4-6 weeks on something simple and 6-8 weeks on more complex pieces. We will inform you of your deadline in the contract.
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The deadline for our contest, Ars Scribendi, has come and passed.
15 unique entries. Far more then we could hope for.
So now it comes to us to sit down and judge these entries. You will have to bare with us, for it will take a little while to go through these, to weigh the narratives against one another and come up with a winner.
We really wish we had the chance to give out runner-ups prices this time, but rest assured the competition will return next year and we are looking into what we can do to make it even more interesting.
We know we had promised (via our Facebook page) a spectacular message today.
Though the message will come (and it is spectacular) we have decided to move the reveal of that a little further.
We will either post it during the weekend or, at the very latest, on our Tuesday blog-post.
So keep an eye out for that, we think that you will like it.
Friends and followers of Studio Colrouphobia: This week we see the deadline of the Ars Scribendi competition approaching. By Friday, at midnight GMT August 1st 2014, final entries need to be in. We have some really good entries already, so if you want to get a chance to have your narrative turned into an illustrated piece, printed and signed, to hang on your wall; this is the final week to enter!
Since this competition was such a success, we are looking into doing this next year as well, possibly with more prices, famous (or infamous) judges and more. We hope you liked writing the entries this year, and if you didn’t write, we hope you enjoyed reading the entries as much as we do.
We would also like to post a little something for you who wish to know more about painting and sketching. Below are two videos that illustrate the possibilities of the digital media and using photographs. It is quite commonly thought that all any illustrators do with photographs are to use them for paint-overs, cut and paste or using layerstyles to make patterns appear. But this is not all that is done. Mostly, photographs are just used as plain reference, so here David has used a photograph of a model dinosaur to first sketch the same dinosaur, and then to take it further by painting over the sketch and turning it into a dragon.
Note how not a single colourpick, nor paintover from/of the photo was done.
So what do you think? Have you got your own experiences in regards to using photos as reference?
This week we have two slots open for private commissions. You can make any inquiries at the bottom of the “about” page.
or how to function in 30°C heat with a cold and runny nose…yay
First of all: One week left on our contest Ars Scribendi! We have some smashing entries already, so if you think you have what it takes to win: One week left! Final entries need to be in at midnight GMT August 1st 2014. May the muses kick-start the overdrive of your imagination and provide you with ample flow in your pen.
And fevers or not, the show that contains no clowns needs to continue. We have some goodies to show you.
The first is a work in progress and a source of both frustration and inspiration. It gives an idea on how concepts can evolve over time.
During a dull moment the challenge was uttered: Why not paint a Centaur fighting a Minotaur, it’ll be fun and different she said :)
These three versions give an indication on how much a concept changes, and in it’s current form it is still being tweaked. The first one is the version from 2008/2009, the last ones are a new edition from 2013-2014. It is in an in between project, when commissions are leaving you with a space.
And those following David on Facebook, will have seen mentions about a super secret project pass by. The following bit is NOT it (a rotten thing to do, but keep checking out this blog and all shall be revealed :) )
Currently we have a remake of the known Sanguinius painting in the pipeline. The first piece, known and epic, took about 55 hours to complete. The pose is epic, but not really dynamic so the sketch is slowly being transformed into a painting. The rough colourcomp is done here, but still loads of tweaking to do.
The video shows you how the details on the shoulderpad were created, Händel our good friend will keep you company.
Time for another update.
A week went past pretty fast.
Things are rocking and rolling in the studio. I (David) got approached for something to do on the side aswell: a Super-Secret-Project(tm). It will be a while before anything on this will surface, but if you see random posts on Facebook about doing “super-secret- project” things, then you know.
Meanwhile, London Film and Comicon came and past this last weekend. From what we have heard, it was a fantastic hit.
Last week you were promised a look on the illustration that got done for “Excelsior!”; the tribute booklet for Stan Lee.
We give You: Mysterio (oh, and Spidey…)
To make things even more exciting, here is a newly completed Primarch:
If you remember seeing this before, we started a tutorial in regards to how this one was being painted. Quite some bits changed since then, mainly to try to not be too influenced by the model that came out from Forgeworld. Simplicity is the key.
Summer-time usually means vacations for everyone. The studio is not different, much.
Mid-August until the first week of September we are on vacation. This means that we will still be reachable for talks about commissions and such, but activity on the blog et al will be lessened.
This past year has been crazy, and as such we really need a break. So please keep in mind that even though you can get ahold of us during that time, it might take us a little while to reply.
Our contest, Ars Scribendi, is a huge success! We have more than 15 entries and two weeks to go before the deadline. If you had in mind to join the competition for a chance to win your narrative as an illustration, printed, signed and sent to you, there is still time, but keep the deadline of the 1st of August in mind. Entries accepted here on the blog (on the Ars Scribendi post) or on the event’s page on Facebook.
This week there are three slots open for commissions.
If you have an idea for a commission, a question or query, or just praise or critique, just use the contactform on the About page (Link just before this or in the blue field on the top of this page).
And now for something completely different…