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To be Inspired and Driven

Hello there Studio Colrouphobia followers!

Today there aren’t going to be any pretty pictures in the blogpost, but I hope the text will bring something interesting to you anyway.

In an effort to give back (something I’m sure you have heard before from others) here at Studio Colrouphobia we looked at our past, present and future to see what has been important for us when it comes to art and working as artists.

Pretty fast I personally came to the conclusion that there are two things that have and continue to, play a major role for me when it comes to working with art.

Inspiration and Motivation.

When I was younger, I thrived on visuals. I was into movies, comics and games, just like most others. But what really got me into things, where the visual aspects.

When I imagined things, the more I could visualize things in my mind, the more vivid they would become and therefore they would inspire me to explore that imagination.

My first true introduction to Art, as means to work with, actually came from the Swedish version of D&D. The images and illustrations where probably not the best, but I remember the creatures they depicted very well (and they all look perfect in my head now!) and I also remember thinking:
“Wow, the guys doing this are my dad’s age. Nobody I know my dad’s age would do this unless they got paid for it. They get paid to draw!”

I had always drawn and sketched, just like most others, though I was hardly the one two scribble on walls and scream if no pen or paper was around. I just enjoyed sketching and put enough effort into it for people to notice.

At a certain age I just decided that this, doing Fantasy and Sci-fi art, for a living, was what I wanted to do.

From there on, things become a constant battle between being inspired and getting motivation, drive, to continue. Most people have a really hard time trying to become a freelancer at anything, regardless of what you do. The reasons are many- people not believing in you, lack of money to pursue that sort of career, lack of self-confidence and lack of believing in yourself (and no, those last two are not the same – one mean you do not believe you are good enough and the other that you do not believe you WILL be good enough).

So how do you solve this?
Well for one, you need to have support from your friends and family, something I know doesn’t always happend. I had luck enough to have my -then girlfriend, now- wife that has given me support throughout the past 10-12 years. That’s not always evident.
The other things you need are great sources of inspiration and causes for drive.

I had great sources for inspiration. Before the internet (yes, I’m old) there where things like “Heavy Metal“- with giants like Simon Bisley, Frank
Frazzetta and Jeffrey (Catherine) Jones. There where Roleplaying-games, with covers and interiors just giving my imagination so much to use- I was inspired by Brom, Paul Bonner, Paolo Parente and Wayne England. There where book-covers with fantastically painted images -people like Boris Vallejo and Julie Bell as
well as Luis Royo just made me feel extremely enthousiastic about improving and possibly one day be able to earn my living on art, if I could only get good enough.

Once on the Internet, I got so many more inspirators added to the list.
Traditional artists such as Donato Giancola, Dan Dos Santos and David Kassan blew me away from the moment I either discovered them or found out who those book covers where made by.
Digitalists like Andrew (Android) Jones – for his innovating techniques, Björn Hurri for his fantastic dedication and commitment, J.P. Targete for his traditionals-looking digitals, Melanie Delon for her fantastic characters, Noah Bradley for his fantastic environments, Brad Rigney for his general excellence and so many more…

They all inspired me and gave me a drive to continue, to try to become good enough to work as an llustrator for a living. I’m sure most of you have sources for inspiration and motivation. I would love to hear who they are, perhaps we share them, or I haven’t heard of them or seen their work. I am still looking for more inspirational and motivational artists to add to my list to keep me driven to learn and improve.

Well, back in the days, I had to really look for these sources of inspiration and talking here at the studio we agreed that we should try and give back some of that inspiration.

To do that, I have asked some of my art-heroes and sources for inspiration and drive to write one-time blogposts, right here on studiocolrouphobia.net.

A lot of them are busy with their work, but some have answered an will write to give you guys some inspiration. I do not know what they will write, as I didn’t want to restrict them, but the general theme for these will be ”To be inspired and driven”, and every blog-post made by a guest-blogger will be on the topic of Art.

We here at Studio Colrouphobia will post these as they come in. There is no a perfect schedule for when they will come in, but we will never post more then one a day, so if you have seen a guest-blogger post here, chanses are you wont see another update on that day.

We hope you will enjoy this little treat.

Did you know that you can follow us on Twitter and Facebook? Just click on the icons below to get to the right spot!

 

Until Next time!

The Art of Freelancing – a review with ducks!

So I thought I’d take the time to do a little review of the Art of Freelancing by Noah Bradley.
Let me begin by giving some background on Noah Bradley, for the rare occasion that you wouldn’t know who he is.
Noah Bradley is an environment concept artist & illustrator. He’s young but has already worked for an international clientele and has been accepted into the industry’s most prestigious publications. Even if you haven’t heard of Noah, chances are you have seen work he has done for Wizards of the Coast, L5R or AEG.

I first heard of Noah as part of an event on Conceptart.org, where he was described with(paraphrased):

This guy came last year to the illuxcon convention, his portfolio wasn’t really that focused but he took the criticism and came back the next year and blew us away with his updated portfolio!

Since then I have seen him around (or rather his work and his activities) on the internet. He is part of Awesomehorse Studios which do a great job of paying it forward to anyone and everyone who want to improve their skills and careers when it comes to art.

You should really check his work out, and generally, I tend to listen to any advice he gives, because he is not that many years further into his career than me, but he has attained success faster. He also seem to be a generally nice guy, which is always a plus.
That was a bit of background on the creator of the Art of Freelancing video.
So for the review-

Specs
For $57 you get

  • a 5 hour lecture on freelancing (.mp4 format in a .zip archive | 422MB).
  • Access to an extensive (and constantly updated) list of freelancing resources.
  • Subscription to an exclusive mailing list that feature FAQs and supplemental content.

Noah also gives a 100% Money-back-guarantee on this product, should we in any way be dissatisfied about the purchase.

The topics covered in the Art of Freelancing are:

  • How do I break into the industry?
  • How much should I charge?
  • What should I put in my portfolio?
  • Am I too old to start?
  • How do I deal with bad clients?
  • Do I need a contract?
  • Should I work for free?
  • How do I know if I’m ready?
  • What if my client doesn’t pay?
  • How do I start networking?
  • Should I go to art school?

The bad
Let’s cut to the bad parts first. There aren’t that many, so let’s get them over with right away.

Video
This is a double-edged sword, really. Noah has made this into a video but beyond one or two websites popping up as text on the screen, as well as headlines in white on a black background, the entire video is void of visuals. On the one hand, this is good, I can work at the same time as listening to the video. On the other hand, it feels a little like overkill to have it formatted as a video when all I really need is in the form of audio. Space could have been saved (when downloading a video it just is a larger size then a pure audio) and the information provided in text could have been provided in an added text-file, or just plain on the resource-website. Granted, sometimes it is handy to have the info of a website pop up directly on screen, it really isn’t that much of a fuzz to go to the resource-website to find the same link there.

The resource-site
This is just a personal note, and probably has to do with that I bought the video quite late, but it doesn’t seem to have been updated at all since I got my copy and access.

Mailing-list
I haven’t gotten any mails from this, though given that this is exlusive content and being a freelance artist myself I know that can be long in between more exclusive material being there.

In short, the three “complaints” I have are really minor and don’t even cause me any trouble because the rest…

…The rest, my friends, is brilliant!
Now before anything else, let me say this: This video wont get you work!
You wont buy this video, watch/listen to it and magically get art directors calling you up with your dreamjobs.

Advice
What it will do, is it will give you clear and honest advice on the things to think about, do’s and don’t's, suggestions that can make or break your career. It is easy for me to look at the list of topics given and answer some of  them with “Yes/No” or a one-line-answer, but what Noah does goes far beyond this. He gives us reasons behind why, offers concrete examples from his own experience and he covers it all!

Young and old, new and experienced
I believe this is aimed more at the beginning freelancer, but being in the middle-of-my-career I really feel almost every topic Noah bring up are valuable to me. Talking to some of the people who also bought the video, ranging from aspiring to freelance professionals the general feeling is one of being glad they put the money down for this and that it already paid off.

Is it for me? I’m a Conceptartist/Illustrator/Designer!
Yes, Noah takes up differences between various types of freelance artists. He even gives you a heads-up for when it is going to be directed specifically towards certain types of freelancing. I listened it all through, though. It was worth it.

Is it worth it?
YES!

You should buy it as soon as you can. If you do not have the $57 to use today, save up for them! If you live in Europe, think about the fact that the dollar currently is weak in comparison to the Euro = Double gain! (Value plus less costly currently)
Generally, when buying something from abroad, keep an eye on the exchange-market, you’d be surprised how many times you can make good deals just on account of a certain currency being low in comparison to your own, even during recession-times.
You will notice Noah mentioning some key-important things to put money on in the video, you need to save up for them also. Trust me on that, I have had the same experience as Noah with that.

All-in-all review:

Content
10/10

Format
7/10

Value
10/10

 
http://www.theartoffreelancing.com/ Go there, take a look at the 30 minute free part from the 5 hour video. It was all I needed to convince me.

And if that doesn’t make you want to save up for it, here is a review by Jon Schindehette, Art Director at Wizards of the Coast -

Artorder review of the Art of Freelancing

Time, is on my side, yes it is! – NDA’s releasing etc.

Hello there trusty followers of the Studio Colrouphobia blog!

Its time again to show some things from our studio that has come out of Non Disclosure Agreement and is free to display at our website.

In my mailbox yesterday was a package from the kind souls at http://www.fantasyflightgames.com/ , it was my contributors copy of the Hand of Corruption adventure (http://store.fantasyflightgames.com/productdetails.cfm?sku=BC03) that I worked on.

As we told you in theblogpost http://studiocolrouphobia.net/2011/10/15/how-ndas-work-and-an-example/, sometimes you work on things that take a long time before they are displayed publicly. The following illustrations are examples of a fairly common turnaround of NDA’s, about six months.


Hand of Corruption, page63 has this image by me on it.
The Brief called her “Norbik” hence the title.


Hand of Corruption, page101 has this image by me on it.
An Iron Warrior entering a Necron Complex.

Hand of Corruption, page128 has this image by me on it.
A b&w Arbitrator. I am very happy with how this one came out in print. The details really came out exceptionally good (I actually feared some of them would be lost)

Next post will see some other type of images in it. The cover illustration to http://www.precinctomega.co.uk/ ’s “Skrapyard” game is under wraps and I am doing some non-warhammer stuff at the moment that will see the dawn of light shortly.

Until next time!

David

Dragons, maidens and faeries – Where to begin with art and inspiration?

Hello blog-readers,
David here and the time has come for another blogpost!
It has been a while (again) and there are schedule-related reasons for this.
Because of these reasons, we are restructuring the postingorder.
Monday sketchposts will remain as they are and, hopefully, continue to be
posted every Monday for your enjoyment.
Wednesday blogposts will move to Thursdays due to it being more fitting in
the week for us schedulewise. Thursday blogposts, then, will not happen
every week unless we have a mass of things to share with you.
Thursday blogposts will also be alternated with tutorial posts so eventually
we think these will become more or less weekly anyway.

This week I thought I’d show you some completed work, as well as let you
know some excellent pages on the internet to improve your skill as an artist
whether professional or happy amateur.

This lady-knight on a blue dragon, is my sister-in-law. It’s a gift to her
and since she likes dragons I thought I’d paint her riding a dragon.
If you remember well, you have seen a couple of compositional sketches for
this painting in an earlier blogpost. The makings of this painting has been
veiled in secrecy, to not let her know it in advance we had to fake
referenceshoot with a sword and “tring to figure out lighting” with a
camera to get good face-reference.
The reference used for the dragon was a blue-white monitorlizzard,
to get the scales and colours correct.
The final illustration will be printed and given to my sister-in-law as a
birthdaypresent. This will also go into my portfolio, and if enough people
are intrested, might make a limited-run as a poster or print.

Next up is a little something that I think you will recognize.

This is the beginnings of completing the illustration I made in pen on paper
into a fully painted illustration. I am doing this as a test to see how far
I can move the digital medium toward traditional painting. Using the Flemish
technique in digital form, I took the pencilsketch, added a light
yellow/olive “imprimatura” cover over it (after having lessened the opacity
of the lines to make them barely visible).
I then flattened the entire painting, duplicated the layer and used the
real-bristle brushes in Photoshop CS5 to do a two layered underpaintig in
Umber.
This, of course is an aproximation of the colours, and I am doing a lot of
trial and error. Finally (up to this point) I am doing what is called a
“dead layer”. A Grayscale painting with a hint of cool respective warm tones
to lay as a base for the final painting.
This might seem timeconsuming, but the truth behind it all is that I want
to see how close one can get to the traditional means of painting using pure
digital means.
It is not going to be a substitute, and I am not expecting it to look like a
traditional oil-painting once done, but to evolve one must break with ones
patterns and try out some new things. This is how we get ideas and evolve.
What I am expecting to get out of this is an improved workflow, better
colourmanagement and perhaps a more subtle way of painting skintones.
As far as painting skintones, this way of painting will not be more
timeconsuming for me then what I already go through, so possibly it might
help me speed things up.
The Ahadi-painting is a personal piece, and something that I work on on-and-off.

And here is a sketch of something I am painting for a client.

This is going to be the cover for a tabletop miniature skirmrish-game called
Scrapyard. More about that in a later blogpost.

In other, artrelated, news, I am also making an illustration for something
called Feast of Blades: http://www.feastofblades.com/
This illustration will be featured in our next free tutorial and so I’m
saving images for that post. Hope you do not mind.

So with the art displayed, let’s get back to a topic I have promised
previously:
Where on the net can you learn to improve, reach out to the crowd you want
and generally get hints and tips on what to do to have more fun and success
with painting or doing art in general?
Let’s start with some of the heavy hitters-

The blogspots where you can just get buckettoads of information:
(and bucketloads,if you rather would have that!)

http://muddycolors.blogspot.com/
This is the big one ladies and gentlemen. Although there are forums such as
conceptart.org, which I wholeheartedly suggest you check out if you haven’t
already, muddycolors is just the best spot to find information, inspiration
and help with just about anything in your art-aspirations.
Essentially, it’s a blog where several professional artists joined together
to post inspiration, ideas and information on what to think about when you
do art.
It’s not the names that make the place, though there are some impressive
ones: Dan Dos Santos, Donato Giancola, Arnie Fenner, Jesper Esjing, Petar
Meseldzija and Greg Manchess to name some of them.
No, it’s the information and what they share that makes this worth it!
Mostly, the information is concerning traditional painting when a choice
between digital or traditional has to be made, but in general, the
information and inspiration can be used for any medium. Ranging from
exhibitions to check out to how to compose, set your digital version of art
to best suit printing, through art critiques on readers works and all the
way down to how to handle turpentine and the dangers with it.
In short, the amount of goodness that comes from this blogspot to anyone
interested in doing art is just astounding.

http://enliighten.com/
Possibly not as known as muddycolours, Enliighten is a great place to
learn art. Mike “Daarken” Lim (Wizards of the Coast, Blizzard Entertainment,
Fantasy Flight Games, BioWare, Mythic etc.) decided to give back to the
community through giving awa free tutorials and discussions on art on his
boards. This is great resource for anyone beginning with art.

https://artorder.wipnation.com/
Jon Schindehette’s, Art Director at Wizzards of the Coast, exemplary
blogspot for helping aspiring artists and freelancers with tips, tricks and
challenges to get better at reaching future clients. This spot is just as
useful as the muddycolors spot, except this is more directed to those who
want to make art for a living.
Artorder used to be on ning, but has now moved to wipnation.

https://crimsondaggers.wipnation.com/
http://crimsondaggerblood.blogspot.com/
Dave Rapoza began with crimsondaggers and, together with his friend, Dan
Warren, they set up competitons, art-critiques and general awesomeness.
I found out about CrimsonDaggers through Daves Livestreamchannel,
http://www.livestream.com/fuckinartwithmrdelicious , which is also filled
with awesomeness. Metal, awesomeness and painting. Like Artorder,
crimsondaggers used to be something all on its ow, but has now also got a
spot at wipnation.

http://www.awesomehorsestudios.com/
https://awesomehorse.wipnation.com/
Speaking of awesome, awesomehorsestudios is also a good spot to find info
and critiques at. For me, this spot had a little less to offer since they
do their critiques live, and you can watch episodes for free as they air,
but have to pay (albeit a smal sum) to watch thm later. Unfortunately I sit
on the wrong side of the earth to be able to justify watching these live.
The really great one for me was watching their interview-athon at illuxcon
(found here: http://www.awesomehorsestudios.com/s1e5-illuxcon-interview-special/),
As a freelance artist this gave me so much. It was also cool to see some of
the persons I have worked with, as well as some I’d like to work with, even
if it wasn’t pressing hands. Emails are useful, but sometimes a little
impersonal.
Awesomehorsestudios also has a spot at wipnation, but be sure to check out
their own website. There is something for everyone there!

A little edit here: Thanks to Marc from Awesomehorsestudios for letting us know
that all episodes from Season 2 on are now free, live and always.
You can see everything up at http://www.awesomehorsestudios.com/watch-now
Thanks Marc!

Online Galleries and their use:
Online galleries can be really useful for the aspiring artist. It can give
help through comments and critique. It can give exposire and it can be
rewarding to exchange art with other artists.
Here are some of my favourites and their use.

http://cghub.com/
In my opinion, this is the best gallery currently. I might be wrong, there
might be something more suitable for getting more exposure and contacts
with potential clients, but currently the entire website just flows with
proffessionalism, ease and goodness. Mainly aimed at professionals, I was
lucky to get an invitation in the early days, but my bias towards cghub has
more to do with the way you can mark your artwork (time it took to complete,
lists of medium-including programs used, etc.) and the fact that it is
really easy to manouver once you get a hang of it. Nowadays you can get an
account on cghub without an invite and if you want to go professional I
think this is the place you should put a portfolio-gallery at.
The forums of cgub are probably underrated, as I find something useful or
inspiring there verytime I check them out.
Here is a link to my own profile on cghub: http://colrouphobia.cghub.com/

https://www.wipnation.com/
This gallery is still fighting some early hickups, but in my opinion it is
still worth being there. There are several reasons for this: Many helpful
blogs or webspaces have recently aquired a spot under wipnations wings.
(see above), but the galleries can stand on their own. The most powerful
thing about wipnation, at this moment, is the opportunity to do redline
critiques. Redline critique is when you see something that you think
should/could be improved in an image and you take a red tool (for instance
photoshop brush) and paint on the image to show what you mean. Wipnation
allows for this in their own galleries, something that is really useful for
the aspiring artist.
This is a feature I miss on just about every other gallery online. If you
want to check out my own meager wipnation gallery, it is here:
https://www.wipnation.com/citizen/studiocolrouphobia
http://www.deviantart.com/
I think it is safe to say that almost everyone into art knows about
deviantart nowadays. This place has it’s plus and minuses. For one, it is
large. This is very useful if you wish to find something inspiring. Chances
are you can find it on deviantart. The downside is that you might have to
search for it for a long time if you want something more specific.
Exposure, this is a tricky one. If you manage to get the eyes of a few
people, there is a chance you will get more exposure. For me, I had the
fortune of getting into th semifinalists in a huge competition on
deviantart. After that I just got more and more watchers. I am still not
getting as much exposure at deviantart as I would want to, but it is still
a useful tool for other things.

Pure inspiration?
The above gallries are for you to put your works in, and to look through
works of contemporary artists.
How about spots where you can check out the old masters, or where you can
get help with anatomy and such.
There are a multitude of such places on the internet, and so I share with
you only two such places:
http://www.wga.hu/index.html
http://www.wga.hu/frames-e.html?/art/index.html
Webgallery of art is a great place to see art from museums all over the
world.
The first link leads to their mainpage, the second link directly to their
search engine. Explaining how to search will take a lot of time, so just
experiment, it’s worth it!

http://inspirationalartworks.blogspot.com/ is just pure gold.
This blogspot has really collected a great set of images, whether photos
or artwork, for an aspiring artist to check out and use for studies and
learning more.
http://inspirationalartworks.blogspot.com/p/anatomy-images.html?zx=c96bff9e99005f06
for anatomy pictures and
http://inspirationalartworks.blogspot.com/p/photorefrence.html for
photoreference. Be advised that there is nudity or images deemed unsuitable
for the younger crowd in this spot.

I think that is about whatI have to give you today.
Until next time!

The joys of freelance – As time goes by

Hello again, time for another blogpost from Studio Colrouphobia.

It has been a while and for that we are sorry. The truth is tat it comes with the territory, being a freelance-company mean that sometimes we are just crammed with work and has little time to do anything else. The past two weeks have been such a time.

 

First things first: The reaction to the tutorial we last posted has been varrying but in general it was received with thanks and praises.

The main concern voiced as the lack of detail and in-depth description, as well as “tips” on how to paint like this.

The lack of depth an detail to the tutorial comes down to what we earlier explained is in store for the future:

Some free tutorials, and some with a cost to them.

To be able to motivate the tutorials, we need to look at the time it takes to create them. As every hour of work counts in this business, most of the free tutorials will be more like walkthroughs of paintings painted in the studio anyway, mostly portfolio-pieces or commission-work that do not have an NDA or where the NDA no longer keep us from showing the illustration.

These tutorials will be less detailed, with less explanation and not loaded with tips and magic sollutions to become a great illustrator. We do, however, feel that these will be invaluable for the beginner-up-to-intermediate illustrator as it will give you anything in the range of inspiration to tidbits you didn’t know.

 

The paid tutorials will be more descriptive, most of them will also be in the form of videos with voiceover to guide you through more detailed help. Some of these will still be aimed towards the beginner or the intermediate illustrator, but thse will also suit the intermediate to “almost-pro” crowd to a bigger extent.

 

Finally, the workshops will be tailored to your needs, they will include individual feedback and help on a level that only face-to-face tutoring could out-do (and we have face-to-face workshops in mind for the future as well).

 

 

Wen it comes to “tips on how to paint like you do”, there is only one thing that will help you achieve the level of ability you wish to reach and that is practice.

 

So we hope you are up for the future tutorials and workshops from us, we certainly are!

 

 

And now for some works.

This time it is a little limited, as mentioned earlier, there has been a lot of work and deadlines that had to be met the past two weeks, all of which still is under NDA, but here are some further painting on Arbaal (with details). This painting is still not done, mind you, and has quite a bit left to go.

Arbaal the undefeated WiP , by David Sondered

WiP with detailshots click to zoom

 

And this is a very quick sketch of a Chaos Terminator.

 

 

Next time we will probably have a sketch to show you of a current commission that has the benefit of not being under NDA.

 

Until then!

This little piggy went to the market…

A Friday update!

Last year ended on a good note, the illustration we produced for Music for Life helped raise some money for the grand total of
7.142.716 euro. The personal work of David, The Red Angel, received a lot of positive reactions.
Also the latest released image from our proffessional work has been published by the contractor:

http://projectmabus.blogspot.com/search/label/The%20Agent%20M%20Series

“Special and particular thanks goes out to a Mr. David Sondered at Studio Colrouphobia.
If you are looking for a man that embodies the very definition of patience then look no further.
I constantly and consistently badgered him with requests and changes to embody the cover to
what I wanted. And yet… He made a couple of simple suggestions and I have been humbled.
You sir, are a professional and a man of class.”

 

 

2012 is looking to be continuing in the same positive way, so until next time!

Fiery Christmas and a Dragon New Year!

Holidays are over us and regardless on your stance on this, the spreading of happiness is in order.

Next year begins the Chinese Year of the Dragon and what better way to sort thing out then by having Santa being chased out of this year by a dragon?

The blog will take a two week break from posting during this time but before we go there are some things to take up.

Music for life was a blast. The total sum collected was more then 7 million Euro and Studio Colrouphobia are happy to have contributed a small part of that sum. Thank you to all bidders on our painting and congratulations to the lucky winner (who wanted to remain anonymous). The signed and framed poster is in the mail and should arrive within the next two weeks!

And to end this blog with some extras, here is a finished Angron and a WiP of the next Primarch in line, Fulgrim.

We are pondering to make these Primarch portraits into posters, let us know what you think about that.

Enjoy the last days of this year and be sure to check back in 13 days for the next installment of this blog!

Art For Life Done

The artwork is done. As you can see above the poster has been painted to completion. We have also gotten our first bids in… We keep you updated on the amount the bid currently is at by email. We are hoping to get more bids in before the end of the auction by midnight tonight of course, so let us see some bids!

Every day this week you could follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

End date of the auction is Friday the 23rd of December at midnight.

Het kunstwerk is afgewerkt zoals boven te zien is. We hebben een antaal aanbiedingen gekregen en brengen je graag op de hoogte van het winnende bod via e-mail.Het kunstwerk werd door de week geschilderd; de voortgang van dit schilderij kon u elke dag hier op www.studiocolrouphobia.net volgen.
Uw bod kan worden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Einddatum voor de veiling is deze Vrijdag, de 23de December om middenacht.

————–

Studio Colrouphobia is this year partaking in an action from the Red Cross and radio channel Studio Brussels. The action is called Music for Life and this year is all about collecting money to improve water in the world and prevent diarrhea which is the biggest cause of death among children in the world.

We got our official registrationcode from the Red Cross.

What are we doing exactly?
We are auctioning out a piece of art.
Every day the following week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

If you live outside of Belgium then we need your payment through paypal, information which will be coming your way the moment you have won the bid. If you live in the Benelux you can pay your winning bid directly to a bankaccount and on the 23d we will send the money over to the redcross, how’s that for a christmas present?

Please note that this painting is digital and that the winner will receive a unique printout of this artwork, signed by the artist.

Studio Colrouphobia doet dit jaar me bij Music For Life.
Wij hebben onze registratiecode gekregen en zijn reeds onderweg naar en kunstwerk.
Wat precies doen we dan?
Wij doen een veiling van en kunstwerk.
Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Opgelet, dit kunstwerk word digitaal ontworpen en komt in Een digitale print, ondertekend door de kunstenaar.

Art for Life 3

Every day this week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

End date of the auction is Friday the 23rd of December.

Het kunstwerk wordt door de week geschilderd; de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Einddatum voor de veiling is deze Vrijdag, de 23de December

Third work in progress. Almost done!

Studio Colrouphobia is this year partaking in an action from the Red Cross and radio channel Studio Brussels. The action is called Music for Life and this year is all about collecting money to improve water in the world and prevent diarrhea which is the biggest cause of death among children in the world.

We got our official registrationcode from the Red Cross.

What are we doing exactly?
We are auctioning out a piece of art.
Every day the following week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

If you live outside of Belgium then we need your payment through paypal, information which will be coming your way the moment you have won the bid. If you live in the Benelux you can pay your winning bid directly to a bankaccount and on the 23d we will send the money over to the redcross, how’s that for a christmas present?

Please note that this painting is digital and that the winner will receive a unique printout of this artwork, signed by the artist.

Studio Colrouphobia doet dit jaar me bij Music For Life.
Wij hebben onze registratiecode gekregen en zijn reeds onderweg naar en kunstwerk.
Wat precies doen we dan?
Wij doen een veiling van en kunstwerk.
Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Opgelet, dit kunstwerk word digitaal ontworpen en komt in Een digitale print, ondertekend door de kunstenaar.

Art for Life

(In Nederlands onder de Engelse text)

Studio Colrouphobia is this year partaking in an action from the Red Cross and radio channel Studio Brussels. The action is called Music for Life and this year is all about collecting money to improve water in the world and prevent diarrhea which is the biggest cause of death among children in the world.
We just got our official registrationcode from the Red Cross and tomorrow we begin proper.

What are we doing exactly?
We are auctioning out a piece of art.
Every day the following week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

If you live outside of Belgium then we need your payment through paypal, information which will be coming your way the moment you have won the bid. If you live in the Benelux you can pay your winning bid directly to a bankaccount and on the 23d we will send the money over to the redcross, how’s that for a christmas present?

Please note that this painting is digital and that the winner will receive a unique printout of this artwork, signed by the artist.

Studio Colrouphobia doet dit jaar me bij Music For Life.
Wij hebben onze registratiecode gekregen en zijn reeds onderweg naar en kunstwerk.
Wat precies doen we dan?
Wij doen een veiling van en kunstwerk.
Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Opgelet, dit kunstwerk word digitaal ontworpen en komt in Een digitale print, ondertekend door de kunstenaar.

First work in progress, the Sketch and the first colour-pass

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