So another week, another post.
On Friday, we posted an extra update to let you know that the competition-deadline had past.
We had an amazing turn-up and so decided that the competition will return next year, albeit perhaps with a couple of more prizes, judges and other tidbits. We will be working for almost a year to be able to get the final format out for next years edition of Ars Scribendi. So thank you all!!!
We hope to announce the winner before our vacation break, so stay tuned. You peeps did not make it easy on us by entering so many awesome narratives!
If you have followed us for a while, you know by now that there is a studio Youtube channel, where you can see some of our processes. We have plans to evolve this to a little more then what it is right now, but it involves a bit of upgrades to programs and hardware, so if you can be a little patient with us there are some good things on the way.
Speaking of good ways on the way, here is a current low resolution view of the new Sanguinius that David is painting at the moment in his rare spare time:
And here is anothe little bit of good news.
We have had an exceptional year. Truly, this year has been a gamechanger for us in many ways. Most of the things are still under NDA (such is the fate of freelance illustrators) but quite some private commissions we have been able to show. In fact, we have had to limit the ammount of slots for private commissions this year, to be able to do proffessional work for companies.
We have a few things coming up that are absolutely brilliant, and David has a secret project that, once it get revealed, probably will get quite some attention. It will be new, it will be grand and the other persons involved are probably known by most of our followers, if not all.
So to celebrate our year, and to give some back to the community, we have decided to give a quite substantial discount for the five next private commissions we do.
The discount will be 100 Euro off of the normal price.
As pricing is a tricky business in the artists world, you will not often see prices displayed in public. There are many reasons for this, not least of all being the fact that supply and demand, as well as the level of skill of the artist in question, set the prices and therefore they can and usually will change as an artist get more famous, skilled or both.
So we will make an exception to this right here and now, and let you know our fares, just to give you an idea of how large our discount really is!
These rates are broad estimates, an usually end up being what we go for, but please keep in mind that what you want to commission can have an effect on the final pricing.
For one character, in a pose of your choice, with a simple (blurred or one colour, simple figures or structures of no real detail) background – 300 Euro
For one main character with supporting characters (up to three) with a simple, blurred background (as per above) – 400 Euro
For a more complex illustration, for example a battlescene with multiple focuspoints an a complex background – 600-800 Euro, depending on complexity
On the above prices, we will offer a 100 Euro discount, straight off.
To make sure we can keep to this and still work on everything we have, the discount will only apply for the next five commissions, so get in touch through our contact form and lets see how we can help you. It’s at the bottom of the “About” Page.
Please keep in mind that slots open this week are only two. This means that if there already are two commissions this week, yours will be pushed forward to start next week. Completion of a commission is usually 4-6 weeks on something simple and 6-8 weeks on more complex pieces. We will inform you of your deadline in the contract.
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or how to function in 30°C heat with a cold and runny nose…yay
First of all: One week left on our contest Ars Scribendi! We have some smashing entries already, so if you think you have what it takes to win: One week left! Final entries need to be in at midnight GMT August 1st 2014. May the muses kick-start the overdrive of your imagination and provide you with ample flow in your pen.
And fevers or not, the show that contains no clowns needs to continue. We have some goodies to show you.
The first is a work in progress and a source of both frustration and inspiration. It gives an idea on how concepts can evolve over time.
During a dull moment the challenge was uttered: Why not paint a Centaur fighting a Minotaur, it’ll be fun and different she said :)
These three versions give an indication on how much a concept changes, and in it’s current form it is still being tweaked. The first one is the version from 2008/2009, the last ones are a new edition from 2013-2014. It is in an in between project, when commissions are leaving you with a space.
And those following David on Facebook, will have seen mentions about a super secret project pass by. The following bit is NOT it (a rotten thing to do, but keep checking out this blog and all shall be revealed :) )
Currently we have a remake of the known Sanguinius painting in the pipeline. The first piece, known and epic, took about 55 hours to complete. The pose is epic, but not really dynamic so the sketch is slowly being transformed into a painting. The rough colourcomp is done here, but still loads of tweaking to do.
The video shows you how the details on the shoulderpad were created, Händel our good friend will keep you company.
Today we received ill tidings from Sweden, David’s grandfather finally lost his valiant battle against multiple myeloma. This little die-hard original söderkis was one of the sweetest men I know. He left such a profound impact on our lives, our youngest son even bares his name and our grief cannot be put into words.
We would like to thank all our friends and fans for their kind words and support. Those words can make a difference when one is struggling on..
“In sorrow we must go, but not in despair. Behold! we are not bound for ever to the circles of the world, and beyond them is more than memory.”
― J.R.R. Tolkien
So no elaborate post this weeks, and we do beg forgiveness if the posts the coming weeks are a tad demure. Do feel free to get inspired and join our Ars Scribendi competition here on the blog or on Facebook.
No real finished images will be posted this week. But as to not let our loyal followers be hungry, we decided to give you some idea on progress and skill-development. The first image here illustrates David’s well known “Sanguinius holding the gates” illlustration. This took almost 50 hours to complete, the Spacewolf took significant less time. It shows that even when one has developed a style of one’s own, evolution is still key.
And finally, a more detailed sketch of a piece currently in the pipeline.
We open this week with a quote from the letters of mr. Van Gogh. The past three days we have experienced some severe weather here in Belgium. Hailstones the size of golf balls, super-cell storms, and tropic heat made us take three unexpected days off. The storm that passed us Sunday night really had epic proportions and was in true Lovecraftian style, worthy of an epic battle between Elder Gods. We at least got inspired to paint some dark images, so keep an eye out the coming weeks.
However, despite epic storms, some works were completed and we can proudly present you two final pieces.
The first one is made for an alternative 40k story: Guilliman’s Heresy. The image shows a pivotal scene between the Lion, and a megalomaniac Guiliman together with already corrupted Vulcan, Sanguinius and Dorne. Both parties are interested in Terra, however the focal point here lies with dichotomies between Lion El-Johnson and Roboute Guilliman: The dark armour of the Lion ofsets the white toga of Guiliman, the bareheadedness of El-Johnson versus the halo Roboute’s throne casts. The light from above illuminating the Primarch of the Ultramarines versus the shade of the Lion, etc…
Drop by at Bolter and Chainsword for more details about this alternative Heresy storyline.
The next bit is our final contribution to the Kaiju Beast contest. A first for our studio since this is our first joint-collaboration. It worked out well, so more will follow:
We would also like to inform you that this week we have NO slots available for private commissions, they got filled up, but by next week some should become available again.
Finally, keep your eyes and ears open. We are going to launch a little event later this week and will keep you all informed through social media. No spoilers yet, but the name will be Ars Scribendi :)
A quick update in the wacky world of Studio Colrouphobia, providing you with you weekly fix of all things Colrouphobic.
Firstly, we have slots open for commissions, if you are interested drop us a message on Facebook or send an e-mail to: firstname.lastname@example.org. We’re having a slightly more calm period at the moment, which after the hectic months feels like quite a relief. It provides us with time to work on personal projects and open up for private commissions, so if you have this idea that has been spooking around for months, now is the moment to apply since we most likely will be taking in larger orders soon again and the commission slots will lessen.
The past week we have both been working to meet deadlines; only to have the one for the Helpful Bear Productions: Kaiju Beast contest be postponed to July. Quite a rarity since we are used to deadlines being moved closer, not delayed and it left us with an unexpected gap and breather.
Feels rather silly to have stressed now, but at least it will give us a chance to tweak the image even more. Understandably we will be releasing the final image after we submitted it. But the concept sketch looks like this:
Last week we also mentioned we did some work for the peeps over at Prodos Games. The background was a Warzone/Mutant Chronicles setting for the Imperial Rulebook, tabletop miniature game.
And since we are not shy of boasting, we would like to share some images with you. For those who like Warzone, enjoy. For those who do not like Warzone, enjoy as well, as we know you will.
And last, thanks to all who have left us with various comments and feedback as to what you want to see changed on our blog. We will be taking these things in consideration and will start fiddling with some lay-out. However, we sadly have to decline the XXX’s (name removed for safety purposes :) , but yes, you know who you are ) suggestion we received on Facebook, to perhaps have more fuchsia pink on our blog. You may insert a mental eye roll here, fellow artists can such delightful pains sometimes.
Anyways, keep the feedback coming, we always like to stay in touch and are open for suggestions. Until next time: Stay Colrouphobic!
Written by Natasja
It has been ages since our blog had a proper update; our sincere apologies for this. Many things have been happening lately and these updates were more or less put on the backburner.
So yes, my official post, well the first one with my signature, not per se the first post by me… I wanted to give you all an insight into the belly of the beast, a nice one to start off with no?
First of all, the artists: you all know David, of course. David specialises in more commercial work and is known to dabble around in the oeuvre of Warhammer for inspiration. David is also full-time operational for all things Studio Colrouphobia-related and quite often can post his works online.
I, on the other hand, do still keep a day-job at hand. We shall not mention anything about the corporate world I work in, but I can only contribute part-time to the studio. The difference between David’s work and mine (and so are the commissions and clientele) lies mostly in the mediums we use. I paint oils on canvas, a process which I am quite fond of, however a very painstaking slow one. I hardly use any retarders or accelerant when I paint with oils, hence the drying time for a canvas takes quite a while. I also tend to have way larger deadlines than David so as a result I perhaps produce only 2 to 3 large pieces a year. Given that this is my part-time occupation, I can hardly complain.
I do however once in a while provide sketches that David finishes up and generally deal with most things admin for the studio. On top of that one we can both be lucky to have some form of synergy that enables us to comment on each other’s work, pointing out errors and compositional issues etc…and still maintain a marriage that is amicable.
Our current standing discussion deals with Spacemarines (am an Ork player so automatically have issues with beakies..) and their anatomy. In my humble opinion, a suit of power armor, as depicted on models and most illustrations, does not add up anatomically and this peeves me beyond all, and has done so the past 7 years. Seriously those shoulderpads and …anyways this is the human part of our studio. Add Khan the Cat, Balor our French bulldog, and most of all our two Hellspawn ages 8 and 10 and you can imagine the Studio to be a lively place at times.
This brings me to the second part of this post. Since we have moved last August, we actually had the opportunity to install a proper studio in our new house. Our old apartment just was not that suited all these activities and alas oil-painting with pets and children running around proved to not always be the best of combinations. Since August we have been refurbishing the studio, making sure one space is properly dedicated to all things artsy and booksy. We moved our rather extensive library into the same studio-space. We take quite some inspiration from books and comics, so it made sense to have them close at hand. However one shelf is solely dedicated to all things art.
In this shelf you will find:
1) Paper, sketchbooks, stamps, and prints
2) Reference books. Oh yes these we like, ranging from books about sculpture, Da Vinci sketches to books about the rainforest, books with vintage cards, books about WW2, books made by artists we like and respect (Paul Bonner, Alan Lee, you name it…)
3) RPG books. Yes, we both play RPG, tabletop and miniature (LARP we leave for the experts). These books provide us with insight so our illustrations and paintings actually make sense in the universe they are supposed to take place.
4) More RPG books and our contributor copies. On this shelf I also keep a model of a 1967 Ford Cobra 427 and we have some bugs in resin as reference. We use almost anything.
5) Here we keep our signed copies of books that we received from colleagues. It is always nice to swap artwork with fellow artists after a convention is over. We also keep magazines for reference here. You would be surprised how much help you can get from i.e. a Vogue magazine, or Motorsports Europe.
6) Models here. From dinosaurs, to sketch-dummies to manta-rays…we keep most of our models on the top shelf. (albeit a bit empty now, since some models are still in one of those elusive “last-box-after-move-which-will-stand-taunting-me-for-months-more-to-come”-mode.)
7) …and coffee. No proper studio functions without a jolt of caffeine (no number added, I assume a thermos is quite visible and noticeable…and perhaps draws less attention to my caffeine addiction)
This is of course all in a nutshell. The studio as a workspace is far from complete. We still need to exchange the desk and install the drawing table. We hope to provide an update soon and show you all a nice image of an organised studio. Which will last about 5 minutes before two artists are let loose in it and Chaos will reign supreme again…
Next update by me will provide you with a start to finish painting on canvas, until then I am quite sure my partner-in-art will keep you all in awe with his illustrations.
Today’s reveal is the last one before the real revelations will sart appearing.
So let’s hear it, who do you think this is?
Don’t forget to add your entry to the competition, her is the rundown of it:
Studio Colrouphobia also has a twitter account: https://twitter.com/Colrouphobia
Studio Colrouphobia also has a Facebook-page: https://www.facebook.com/pages/Studio-Colrouphobia-Concepts-and-Illustrations/20588351315