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Dragons, maidens and faeries – Where to begin with art and inspiration?

Hello blog-readers,
David here and the time has come for another blogpost!
It has been a while (again) and there are schedule-related reasons for this.
Because of these reasons, we are restructuring the postingorder.
Monday sketchposts will remain as they are and, hopefully, continue to be
posted every Monday for your enjoyment.
Wednesday blogposts will move to Thursdays due to it being more fitting in
the week for us schedulewise. Thursday blogposts, then, will not happen
every week unless we have a mass of things to share with you.
Thursday blogposts will also be alternated with tutorial posts so eventually
we think these will become more or less weekly anyway.

This week I thought I’d show you some completed work, as well as let you
know some excellent pages on the internet to improve your skill as an artist
whether professional or happy amateur.

This lady-knight on a blue dragon, is my sister-in-law. It’s a gift to her
and since she likes dragons I thought I’d paint her riding a dragon.
If you remember well, you have seen a couple of compositional sketches for
this painting in an earlier blogpost. The makings of this painting has been
veiled in secrecy, to not let her know it in advance we had to fake
referenceshoot with a sword and “tring to figure out lighting” with a
camera to get good face-reference.
The reference used for the dragon was a blue-white monitorlizzard,
to get the scales and colours correct.
The final illustration will be printed and given to my sister-in-law as a
birthdaypresent. This will also go into my portfolio, and if enough people
are intrested, might make a limited-run as a poster or print.

Next up is a little something that I think you will recognize.

This is the beginnings of completing the illustration I made in pen on paper
into a fully painted illustration. I am doing this as a test to see how far
I can move the digital medium toward traditional painting. Using the Flemish
technique in digital form, I took the pencilsketch, added a light
yellow/olive “imprimatura” cover over it (after having lessened the opacity
of the lines to make them barely visible).
I then flattened the entire painting, duplicated the layer and used the
real-bristle brushes in Photoshop CS5 to do a two layered underpaintig in
Umber.
This, of course is an aproximation of the colours, and I am doing a lot of
trial and error. Finally (up to this point) I am doing what is called a
“dead layer”. A Grayscale painting with a hint of cool respective warm tones
to lay as a base for the final painting.
This might seem timeconsuming, but the truth behind it all is that I want
to see how close one can get to the traditional means of painting using pure
digital means.
It is not going to be a substitute, and I am not expecting it to look like a
traditional oil-painting once done, but to evolve one must break with ones
patterns and try out some new things. This is how we get ideas and evolve.
What I am expecting to get out of this is an improved workflow, better
colourmanagement and perhaps a more subtle way of painting skintones.
As far as painting skintones, this way of painting will not be more
timeconsuming for me then what I already go through, so possibly it might
help me speed things up.
The Ahadi-painting is a personal piece, and something that I work on on-and-off.

And here is a sketch of something I am painting for a client.

This is going to be the cover for a tabletop miniature skirmrish-game called
Scrapyard. More about that in a later blogpost.

In other, artrelated, news, I am also making an illustration for something
called Feast of Blades: http://www.feastofblades.com/
This illustration will be featured in our next free tutorial and so I’m
saving images for that post. Hope you do not mind.

So with the art displayed, let’s get back to a topic I have promised
previously:
Where on the net can you learn to improve, reach out to the crowd you want
and generally get hints and tips on what to do to have more fun and success
with painting or doing art in general?
Let’s start with some of the heavy hitters-

The blogspots where you can just get buckettoads of information:
(and bucketloads,if you rather would have that!)

http://muddycolors.blogspot.com/
This is the big one ladies and gentlemen. Although there are forums such as
conceptart.org, which I wholeheartedly suggest you check out if you haven’t
already, muddycolors is just the best spot to find information, inspiration
and help with just about anything in your art-aspirations.
Essentially, it’s a blog where several professional artists joined together
to post inspiration, ideas and information on what to think about when you
do art.
It’s not the names that make the place, though there are some impressive
ones: Dan Dos Santos, Donato Giancola, Arnie Fenner, Jesper Esjing, Petar
Meseldzija and Greg Manchess to name some of them.
No, it’s the information and what they share that makes this worth it!
Mostly, the information is concerning traditional painting when a choice
between digital or traditional has to be made, but in general, the
information and inspiration can be used for any medium. Ranging from
exhibitions to check out to how to compose, set your digital version of art
to best suit printing, through art critiques on readers works and all the
way down to how to handle turpentine and the dangers with it.
In short, the amount of goodness that comes from this blogspot to anyone
interested in doing art is just astounding.

http://enliighten.com/
Possibly not as known as muddycolours, Enliighten is a great place to
learn art. Mike “Daarken” Lim (Wizards of the Coast, Blizzard Entertainment,
Fantasy Flight Games, BioWare, Mythic etc.) decided to give back to the
community through giving awa free tutorials and discussions on art on his
boards. This is great resource for anyone beginning with art.

https://artorder.wipnation.com/
Jon Schindehette’s, Art Director at Wizzards of the Coast, exemplary
blogspot for helping aspiring artists and freelancers with tips, tricks and
challenges to get better at reaching future clients. This spot is just as
useful as the muddycolors spot, except this is more directed to those who
want to make art for a living.
Artorder used to be on ning, but has now moved to wipnation.

https://crimsondaggers.wipnation.com/
http://crimsondaggerblood.blogspot.com/
Dave Rapoza began with crimsondaggers and, together with his friend, Dan
Warren, they set up competitons, art-critiques and general awesomeness.
I found out about CrimsonDaggers through Daves Livestreamchannel,
http://www.livestream.com/fuckinartwithmrdelicious , which is also filled
with awesomeness. Metal, awesomeness and painting. Like Artorder,
crimsondaggers used to be something all on its ow, but has now also got a
spot at wipnation.

http://www.awesomehorsestudios.com/
https://awesomehorse.wipnation.com/
Speaking of awesome, awesomehorsestudios is also a good spot to find info
and critiques at. For me, this spot had a little less to offer since they
do their critiques live, and you can watch episodes for free as they air,
but have to pay (albeit a smal sum) to watch thm later. Unfortunately I sit
on the wrong side of the earth to be able to justify watching these live.
The really great one for me was watching their interview-athon at illuxcon
(found here: http://www.awesomehorsestudios.com/s1e5-illuxcon-interview-special/),
As a freelance artist this gave me so much. It was also cool to see some of
the persons I have worked with, as well as some I’d like to work with, even
if it wasn’t pressing hands. Emails are useful, but sometimes a little
impersonal.
Awesomehorsestudios also has a spot at wipnation, but be sure to check out
their own website. There is something for everyone there!

A little edit here: Thanks to Marc from Awesomehorsestudios for letting us know
that all episodes from Season 2 on are now free, live and always.
You can see everything up at http://www.awesomehorsestudios.com/watch-now
Thanks Marc!

Online Galleries and their use:
Online galleries can be really useful for the aspiring artist. It can give
help through comments and critique. It can give exposire and it can be
rewarding to exchange art with other artists.
Here are some of my favourites and their use.

http://cghub.com/
In my opinion, this is the best gallery currently. I might be wrong, there
might be something more suitable for getting more exposure and contacts
with potential clients, but currently the entire website just flows with
proffessionalism, ease and goodness. Mainly aimed at professionals, I was
lucky to get an invitation in the early days, but my bias towards cghub has
more to do with the way you can mark your artwork (time it took to complete,
lists of medium-including programs used, etc.) and the fact that it is
really easy to manouver once you get a hang of it. Nowadays you can get an
account on cghub without an invite and if you want to go professional I
think this is the place you should put a portfolio-gallery at.
The forums of cgub are probably underrated, as I find something useful or
inspiring there verytime I check them out.
Here is a link to my own profile on cghub: http://colrouphobia.cghub.com/

https://www.wipnation.com/
This gallery is still fighting some early hickups, but in my opinion it is
still worth being there. There are several reasons for this: Many helpful
blogs or webspaces have recently aquired a spot under wipnations wings.
(see above), but the galleries can stand on their own. The most powerful
thing about wipnation, at this moment, is the opportunity to do redline
critiques. Redline critique is when you see something that you think
should/could be improved in an image and you take a red tool (for instance
photoshop brush) and paint on the image to show what you mean. Wipnation
allows for this in their own galleries, something that is really useful for
the aspiring artist.
This is a feature I miss on just about every other gallery online. If you
want to check out my own meager wipnation gallery, it is here:
https://www.wipnation.com/citizen/studiocolrouphobia
http://www.deviantart.com/
I think it is safe to say that almost everyone into art knows about
deviantart nowadays. This place has it’s plus and minuses. For one, it is
large. This is very useful if you wish to find something inspiring. Chances
are you can find it on deviantart. The downside is that you might have to
search for it for a long time if you want something more specific.
Exposure, this is a tricky one. If you manage to get the eyes of a few
people, there is a chance you will get more exposure. For me, I had the
fortune of getting into th semifinalists in a huge competition on
deviantart. After that I just got more and more watchers. I am still not
getting as much exposure at deviantart as I would want to, but it is still
a useful tool for other things.

Pure inspiration?
The above gallries are for you to put your works in, and to look through
works of contemporary artists.
How about spots where you can check out the old masters, or where you can
get help with anatomy and such.
There are a multitude of such places on the internet, and so I share with
you only two such places:
http://www.wga.hu/index.html
http://www.wga.hu/frames-e.html?/art/index.html
Webgallery of art is a great place to see art from museums all over the
world.
The first link leads to their mainpage, the second link directly to their
search engine. Explaining how to search will take a lot of time, so just
experiment, it’s worth it!

http://inspirationalartworks.blogspot.com/ is just pure gold.
This blogspot has really collected a great set of images, whether photos
or artwork, for an aspiring artist to check out and use for studies and
learning more.
http://inspirationalartworks.blogspot.com/p/anatomy-images.html?zx=c96bff9e99005f06
for anatomy pictures and
http://inspirationalartworks.blogspot.com/p/photorefrence.html for
photoreference. Be advised that there is nudity or images deemed unsuitable
for the younger crowd in this spot.

I think that is about whatI have to give you today.
Until next time!

The joys of freelance – As time goes by

Hello again, time for another blogpost from Studio Colrouphobia.

It has been a while and for that we are sorry. The truth is tat it comes with the territory, being a freelance-company mean that sometimes we are just crammed with work and has little time to do anything else. The past two weeks have been such a time.

 

First things first: The reaction to the tutorial we last posted has been varrying but in general it was received with thanks and praises.

The main concern voiced as the lack of detail and in-depth description, as well as “tips” on how to paint like this.

The lack of depth an detail to the tutorial comes down to what we earlier explained is in store for the future:

Some free tutorials, and some with a cost to them.

To be able to motivate the tutorials, we need to look at the time it takes to create them. As every hour of work counts in this business, most of the free tutorials will be more like walkthroughs of paintings painted in the studio anyway, mostly portfolio-pieces or commission-work that do not have an NDA or where the NDA no longer keep us from showing the illustration.

These tutorials will be less detailed, with less explanation and not loaded with tips and magic sollutions to become a great illustrator. We do, however, feel that these will be invaluable for the beginner-up-to-intermediate illustrator as it will give you anything in the range of inspiration to tidbits you didn’t know.

 

The paid tutorials will be more descriptive, most of them will also be in the form of videos with voiceover to guide you through more detailed help. Some of these will still be aimed towards the beginner or the intermediate illustrator, but thse will also suit the intermediate to “almost-pro” crowd to a bigger extent.

 

Finally, the workshops will be tailored to your needs, they will include individual feedback and help on a level that only face-to-face tutoring could out-do (and we have face-to-face workshops in mind for the future as well).

 

 

Wen it comes to “tips on how to paint like you do”, there is only one thing that will help you achieve the level of ability you wish to reach and that is practice.

 

So we hope you are up for the future tutorials and workshops from us, we certainly are!

 

 

And now for some works.

This time it is a little limited, as mentioned earlier, there has been a lot of work and deadlines that had to be met the past two weeks, all of which still is under NDA, but here are some further painting on Arbaal (with details). This painting is still not done, mind you, and has quite a bit left to go.

Arbaal the undefeated WiP , by David Sondered

WiP with detailshots click to zoom

 

And this is a very quick sketch of a Chaos Terminator.

 

 

Next time we will probably have a sketch to show you of a current commission that has the benefit of not being under NDA.

 

Until then!

First tutorial -or- Extra Mayo with that!

-Posted by David

Hello there people, David here with a little update. So last time we posted something, we had a couple of questions added: We wanted to know whether the readers of this blog  where interested in tutorials and workshops, both free and paid.  The response was good, just not in comments on here.

In the numerous forums that I personalty post on, as well as on Facebook and Twitter, there have been quite some answers to the questions, some in posts, most in private messages. You have also asked questions such as: What’s your favourite art galleries online, how do I protect my art and are there any art-tutorials or websites you recommend for me?

In the future I will let you all know what my personal favourite art-galleries online are, as well as giving info on how to protect your artwork and other tutorials or places to find good tutorials. But this time around, I thought I’d give you a bit of a tutorial myself. For free, to show what the future has in store for you.

(1) I wanted to paint Arbaal, a follower of Khorne in the Warhammer Fantasy universe. To get into it fast I opted to use another painting as a base, I don’t always do this, but it helps to find new things fast and it can really help to get the base values down quick and easy. So I decided to use the Angron painting I just finnised before the hollidays. This character is also follower of Khorne, but in the Sci-fi setting of Wh40k, I thought it was fitting.

-Note: if you are doing a painting in this way, make sure the the original plate, i.e. the painting or photo you start with, is YOURS. This is of particular importance if the painting is for commercial purposes. It also helps covering all your bases when it comes to copyrights and protecting your artwork. Remember, if you don’t steal, then others are more likely to not steal from you.-

(2) I then made the painting grayscale, copied the background and flipped it, setting the second layer to divide at a low opacity. To get to this I experimented with various settings on the layer, ranging through every layer setting and testing at opacity of 30%, 50%, 80% and 100%. Once content with what I had, I fine tuned the opacity to get to this mirrored image.

(3) I decided I didn’t want to make a portrait of Arbaal. He is a very real character in the game, as he has been a playable character (Something Angron hasn’t been) and as such I wanted to show some action. Cue copy/paste and shrink the top layer. This way I keep some of the tones I had, making the image keep in the same range all over.

(4) It looks a little dark, I want to keep the most of the painting at a middle range throughout most of the initial stage. With the portraits series it is easy to keep everything dark and just paint up to light values, but for this I need to maintain a certain atmosphere also. So I take another of my paintings; enlarge it to only show a background section, copy it into the document and set the layer to divide. I move the layer around a little to see how things look. Once content I flatten the image, duplicate the layer and save.

-At this point, I’d like to point out that if you can, and want to, keep the layers. I have learnt to just paint over my mistakes and so I flatten constantly. That way I can also paint at very high resolutions on my slow machine.-

(5) I see something in there, lets paint up the bottom background to look like there could be fire there. Fire good! Then add the typical Khornate helmet-guards. Maybe he is swinging his axe and he should sit on a Flesh-hound of Khorne, let’s add a hint of that in there also.

(6) A bit too bright anyway, darken a little and add in a demon-head for the hound. I used reference for Arbaal, the only one there truly is is of a miniatuer from way back. Hence I wanted to do some re-design. For a while I was pondering horns on the Fleshhound instead of a fleshy collar, since Fleshhounds come in various forms.

(7) Darken it down a little more, mainly to get some details out on the demon-body.

(8) Defining the head of the Flesh-hound a little more, adding some bright to the background again, I want that fire there. Did you notice I dropped the arm?

(9) All right, all Chaos Warriors that have a cloak seem to have fur-cloaks when I look through the internet for ref. So why not? It will bring a bit of character. Also, he need to hold the beast in some reigns and I still want an axe for him. So I paint that in. It looks good in the brighter areas, this way I can also keep his outlines a little less detailed since the bright background will make all sit well in space, at the same time as it makes the character seem more three dimensional.

 

 

 

 

 

 

(10) I didn’t like the background at all, too stagnant. So I added outlines of some structures. I make a mental note that this could be Praag at “the siege of Praag”, since Arbaal was present at the time. I also add the collar for the Hound proper, and decide I want to keep the front of the hound in this pose, but make it a little more flowing. A tail is added.

(11) Making some changes to te values to show more detail. The chain he has to “steer” the Hound with is added, twirling around its horns and through the mouth. I add spikes to the right-side shoulderguard, define the helmet more. Spikes on the axe, symbols of Khorne. I make the collar a bit more majestic and add some spikes and details to the body of the hound.

(12) First colourpass. This is something for an upcoming tutorial, but to get the colouration I use a hard-light layer. Watch out for tutorials and workshops on how to fully utilize this technique in the future.

 

 

 

 

(13) Second colourpass, after having flattened and saved the painting once more, I duplicate the background and paint onto it. I lessen the colours somewhat on the armour and begin to incorporate complementary colours of green and yellow/brown. At this point I am not too worried about the saturation as I am opaque-ly painting over it later.

(14) I had a skull on the left-side shoulderguard but I didnt like it. Que paint something else in. A new skull!

(15) And here is where we start to lessen the saturation somewhat. This is the last image in this tutorial as I am still painting this, but in the future there will be more tutorials coming. The free ones will be more loose and not go so much into details, much like this one was. In the workshops and paid tutorials I will go much more in depth and there will also be room for questions and one-on-one help. But more about that in the future.

 

 

 

 

For now, here is a final image, the 100% version of Arbaal’s face:

(Click to enlarge)

And that’s it for today. If you enjoyed this little tutorial, please let us know in the comments below. Also, if for some reason you cannot post a comment, or if there is anything else you feel we need to know, you can always mail us at studio.colrouphobia@gmail.com and let us know, so we can look into it.

Now go back, enjoy reading it again, click the images to see them bigger and let us know what you think!  Next Wednesday, some of my favourite Art-Galleries online!

-David

Do you want fries with that?

At the dawn of a new year Studio Colrouphobia is looking to do more for the public then last year.Though our efforts to produce quality illustration for companies remain, we decided that this year is the year to give back to the community. One example of this are workshops on how to paint digitally. Some of these workshops will be free (more like tutorials really) and some will have a small cost attached to them.
 To add to this we are also going to put forward a few more posters for sale, as up to date there have been a couple of posters available for purchase.This will alter as we add the portraits series to our range.This is also where the thoughts of YOU become important. We want YOU to tell us what subjects you would like to see in future posters.
To give you an example of the limit of detail we are putting on these posters, here is a WiP for something new:

So let us know through the comments what you would like to see. Perhaps you’d like to see your favourite manga-character in our distinct style, or perhaps Transformers are your thing. Or something else.

Let us know in the comments below and we will do our best to meet your interest. We are also pondering to make posters in the A3 format. Currently, all our posters are at sizes A4, which is great to kick the prices down a little more. It was also a necessity as our older posters where painted at a lower resolution then currently.

Now our question is: Would you like to see future posters come at sizes A3 also, at a slight price-increase?

Please let us know in the comments below.
In the near future we will make purchase easier by adding a store.Of course if you happen to run across us at a convention, our posters will be even cheaper. keep an eye out for our con-agenda.
These are our initial plans, but we need more info from YOU as to what else we can do to give back to the community. Do you have an idea as to what we could do to make you enjoy our work more? Let us know in the comments.

Sheep and wolves in sheep clothing

Most of the things we work at in the studio are under NDA’s (as covered in a previous entry) and therefore not available for you, the public, to see.

In the meanwhile, here are the first colour passes of two of the Primarch portraits David is painting whenever he gets a chance.

 

 

On Wednesday there will be an announcement that might be of interest for those who like these portraits.

Until next time!

Tears and Beauty

Welcome back after the holidays, hope you had a great time.

Studio Colrouphobia returns after two weeks of “off time” from the blog.

So lets get right into this weeks Monday Sketches:

 

First up, a little teaser for the next Primarch to be completed, Fulgrim.

This is just a wip, mind you, and the full poster will be in the same format as the Angron illustration as shown in a previous blogpost.

After Fulgrim, there will be Jagathai Khan, whom we have shown a wip of before, and Sanguinius.

Sanguinius is still in the sketch/blocking in phase so we apologise for this rough and cropped preview:

 

And finally, some conceptuals for Space Marine helmets. These are intended for a project called Damien, which hopefully will turn into a free Graphic Novel as soon as all the details have been dealt with.

These helmet variations are more placeholders then anything else for how the marines of the Angels Cruentis patch up and modify their helmets for doing boarding raids inside the warp, where the chapter predominately perform their duty to the Emperor and the Primarch of their founding Legion.

 

Until next time!

Fiery Christmas and a Dragon New Year!

Holidays are over us and regardless on your stance on this, the spreading of happiness is in order.

Next year begins the Chinese Year of the Dragon and what better way to sort thing out then by having Santa being chased out of this year by a dragon?

The blog will take a two week break from posting during this time but before we go there are some things to take up.

Music for life was a blast. The total sum collected was more then 7 million Euro and Studio Colrouphobia are happy to have contributed a small part of that sum. Thank you to all bidders on our painting and congratulations to the lucky winner (who wanted to remain anonymous). The signed and framed poster is in the mail and should arrive within the next two weeks!

And to end this blog with some extras, here is a finished Angron and a WiP of the next Primarch in line, Fulgrim.

We are pondering to make these Primarch portraits into posters, let us know what you think about that.

Enjoy the last days of this year and be sure to check back in 13 days for the next installment of this blog!

Art for Life 3

Every day this week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

End date of the auction is Friday the 23rd of December.

Het kunstwerk wordt door de week geschilderd; de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Einddatum voor de veiling is deze Vrijdag, de 23de December

Third work in progress. Almost done!

Studio Colrouphobia is this year partaking in an action from the Red Cross and radio channel Studio Brussels. The action is called Music for Life and this year is all about collecting money to improve water in the world and prevent diarrhea which is the biggest cause of death among children in the world.

We got our official registrationcode from the Red Cross.

What are we doing exactly?
We are auctioning out a piece of art.
Every day the following week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

If you live outside of Belgium then we need your payment through paypal, information which will be coming your way the moment you have won the bid. If you live in the Benelux you can pay your winning bid directly to a bankaccount and on the 23d we will send the money over to the redcross, how’s that for a christmas present?

Please note that this painting is digital and that the winner will receive a unique printout of this artwork, signed by the artist.

Studio Colrouphobia doet dit jaar me bij Music For Life.
Wij hebben onze registratiecode gekregen en zijn reeds onderweg naar en kunstwerk.
Wat precies doen we dan?
Wij doen een veiling van en kunstwerk.
Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Opgelet, dit kunstwerk word digitaal ontworpen en komt in Een digitale print, ondertekend door de kunstenaar.

Art for Life 2

Every day this week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

End date of the auction is Friday the 23rd of December.

Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Einde datum voor de veiling is deze Vrijdag, de 23de December

Second work in progress, second colour-pass.

Studio Colrouphobia is this year partaking in an action from the Red Cross and radio channel Studio Brussels. The action is called Music for Life and this year is all about collecting money to improve water in the world and prevent diarrhea which is the biggest cause of death among children in the world.

We just got our official registrationcode from the Red Cross and tomorrow we begin proper.

What are we doing exactly?
We are auctioning out a piece of art.
Every day the following week you can follow the evolution of this piece of art right here on www.studiocolrouphobia.net
You can place a bid on this painting through info.colrouphobia@gmail.com
Make sure your email has the subject: “Art for Life bid”.

If you live outside of Belgium then we need your payment through paypal, information which will be coming your way the moment you have won the bid. If you live in the Benelux you can pay your winning bid directly to a bankaccount and on the 23d we will send the money over to the redcross, how’s that for a christmas present?

Please note that this painting is digital and that the winner will receive a unique printout of this artwork, signed by the artist.

Studio Colrouphobia doet dit jaar me bij Music For Life.
Wij hebben onze registratiecode gekregen en zijn reeds onderweg naar en kunstwerk.
Wat precies doen we dan?
Wij doen een veiling van en kunstwerk.
Het kunstwerk word door de week geschilderd de voortgang van dit schilderij kan elke dag gevolgd worden hier op www.studiocolrouphobia.net .
Uw bod kan woden doorgestuurd naar: info.colrouphobia@gmail.com
Zeker het onderwerp van de email “Art For Life aanbieding” noemen.

Opgelet, dit kunstwerk word digitaal ontworpen en komt in Een digitale print, ondertekend door de kunstenaar.

 

As bloody as they come…

As the Holidays are closing in, we bring you tidings.

And a WiP.

 

This painting is not done. The linedrawing of the weapon is not showing and parts of the armour are not complete, but why not show some blood for you.

Angron, Primarch of the World Eaters shortly before turning into a Demon Prince the signs where already there as there was a shine to him, only blotted out by all the blood…

 

 

And yes, that’s a yellow glow emitting from his skin under the armour. You can see it light up the muscles on his neck and in his eyes and seeping out through the seams of the wrists.

 

Enjoy!

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